Reaper Vst Plugins Tutorial

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ATK for Reaper is a set of plugins for the Reaper DAW. Using the ReaJS plugin ATK for Reaper can also be used with other DAWs on Windows that support VST plugins.

The plugins are developed in the JS FX scripting language, and work with all platforms and processors supported by Reaper. Several of the plugins, most noticeably the Transforms, are provided with graphical user interfaces that help visualise the effect of the transform.

Overview of plugins

Encoders

Mono signals

Omni: Encodes a mono signal as an omnidirectional soundfield.
Planewave: Provides classic encoding of a mono source as a planewave, where the arrival direction (azimuth and elevation) can be set.
Spread: Encodes a monophonic signal by smoothly rotating the signal across the soundfield by frequency.
Diffuse: Randomises the phase of the incoming monophonic signal to create a diffuse field.
PseudoInverse: Provides a great deal of flexibility, and can be used with both microphone arrays and synthetic signals. In the absence of a Soundfield microphone, this encoding technique gives the opportunity to deploy real-world microphone arrays (omni, cardioid, etc.) to capture natural soundfields. ZoomH2 adapts PseudoInverse for this popular portable recorder. Not yet implemented.

Stereo signals

Stereo: The Stereo plugin encodes stereo left and right channels as two planewaves coming from left and right; the angular spread between the two waves is parameterised.
SuperStereo: SuperStereo is the classic ‘super stereo’ method for encoding stereophonic signals.
UHJ: The UHJ encoder offers access to numerous published recordings for periphonic (2D) audition.

Multichannel signals

Planewave transcoders: Planewave transcoders are provided for a number of fixed-channel distribution formats: Quad, 5.0 and 7.0 for the standard ITU layouts, and Pantophonic for 2D and Periphonic for 3D arrays. Periphonic remains to be implemented.
AtoB: Provides a powerful method for constructing full, complex soundfields via A-format encoding. The user supplies four separate but related signals to be distributed equally throughout the three dimensions of the soundfield. These signals may either be synthesised or captured by microphones.

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Transformers

Imaging transforms

Direct: Adjusts the sound-field directivity across a plane specified by the user.
DirectO: Adjusts the directivity of an FOA soundfield across the origin, functioning as a spatial low-pass filter; with an increasing degree of transformation, the soundfield becomes less directional, eventually becoming omnipresent.
FocusPressPushZoom: Unified interface to four different spatial transforms. Focus and Zoom are dominance related transforms and can be described as ‘emphasising’ elements in the direction of interest. Press and Push differs, and rather than emphasising elements in a target direction, all are ‘pressed’ or ‘pushed’ towards the direction of interest. With increasing spatial transform all four transforms collapse the soundfield to a planewave arriving from the direction of interest specified by azimuth and elevation.
Dominance: Increases the gain of elements in the direction of interest while decreasing gain of elements in the opposite direction.
Mirror: Mirrors the soundfield across an arbitrary plane.
MirrorO: Mirrors the soundfield through the origin.
RotateTiltTumble: Multi-axes FOA rotations.

Near-field effects

Proximity: Introduces the proximity effect to encoded signals.
Nearfield: Reduction or removal of the proximity effect from encoded signals.

Decoders

Mono decoder

Mono: This virtual microphone decoder returns a single channel, and can be used to ‘listen in’ to the soundfield at the specified azimuth and elevation.

Stereo decoders

Stereo: Returns a pair of virtual microphones.
UHJ: While the virtual microphone stereophonic decoder is very easy and convenient, for production work we advise using the UHJ decoder.

Multichannel decoders

Quad: Optimised quadraphonic decoder with variable loudspeaker angle.
5_0: Uses Bruce Wiggins optimised ITU 5.0 decoders.
Pantophonic2D: A regular 2D polygon decoder.
Periphonic: A regular cylindrical decoder for 3D dual ring. Not yet implemented.
Diametric: Gerzon’s classic decoder suit-able for varied periphonic and pantophonic loudspeaker arrays. Not yet implemented.
BtoA: Decodes to to A-format. Can be used with AtoB and intermittent sound effects for sound design.

Binaural decoder

Binaural: For headphone listening.

Utilities

4channels: Extract 4 channel A- or B-format signal from multichannel recording.
MuteSoloChannels: Mute or solo individual channels of a four-channel track.

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Whether you’re a home producer or work at a major recording studio, Autotune and other pitch correction software can help deal with a weak vocal performance.

In a hurry? I love Melodyne 4 Studio from Celemony. It’s sounds incredible, leaving little to no artifacts on vocals recorded in a treated space, but are in need of a little fixing.

But Autotune isn’t reserved exclusively for pitch correction. T-Pain popularized the hard-straightened pitch, even going as far as releasing an iOS app called “I Am T-Pain.”

Pitch correction software can also be utilized for other instruments as well. I’ve even used VariAudio (the “Autotune” built into Cubase) on bass guitar parts that were slightly out of tune. The result was surprisingly excellent, with little to no audio artifacts.

There’s a lot you can do with Autotune and similar software.

With so many options for producers, how can you decide on which one to use? Fortunately, I’ve had the experience working with many pitch correction plugins to weed out the good from the bad.

I’m going to include both free and paid options, so please read on!

Have an interest in virtual instruments? Don’t miss my other roundups!

Table of Contents

1) Antares Auto-Tune Pro (Paid)

Auto-Tune is the original pitch correction software. It’s so popular that its name is synonymous and is more of a colloquial term.

Antares gives you a couple of options to pick from depending on your needs — Pro, Artist, Access, or EFX+. As you’d guess, the price moves up the more features there are.

Auto-Tune is very hands-off. I’d even go as far as to say that it’s the most straightforward plugin for correcting pitch.

Pros

Easy to use for beginners
Lightweight on memory
Great-looking user interface

Cons Half speed plugin mac vst.

AUTO mode is limited
Difficult for beginners to use GRAPH
A little outdated compared

When using Auto-Tune on a vocal track in AUTO mode, set the key, the retune speed, and the amount of humanization. You should be able to hit the playback button now and hear hopefully great results.

Because it’s simplicity, I find that it doesn’t perform as well as others (when using the quick settings) that require more fine-tune vocal editing.

To fix an abysmal vocal performance, use the graph mode and hand tune each note to your liking. This process is much more complicated but yields a far better result.

I am not huge on Auto-Tune (I know many are), but it can deliver exceptional results. If you take the time to learn how to use it properly, you’ll have great-sounding vocals with ease.

Auto-Tune from Antares is available at Plugin Boutique.

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2) Steinberg VariAudio — Cubase Pro (Paid)

Steinberg’s VariAudio is a pitch correction software included in Cubase Pro. It’s not a standalone plugin, so you won’t be able to use it if you don’t own Cubase Pro.

But, for those of you with Cubase who didn’t realize your DAW has pitch correction, rejoice!

I love VariAudio — so much so that I couldn’t imagine switching DAWs. I’ve been on Cubase for ten years, so I know my way around, but VariAudio is the one thing that will keep me as a forever customer.

Pros

Integrated into Cubase
Quick to edit any clip
Very fast and no CPU

Cons

Audio artifacts are very noticeable if not careful
Limited cutting resolution
Not intuitive at first

VariAudio functions similar to Melodyne and Auto-Tune’s graph mode. Double-clicking on a clip opens up the editor, where you can choose to enable VariAudio — no plugin required.

From here, it’s simple as using Pitch Quantize and Straighten Pitch on each clip. Cutting clips also helps pitch only individual sections of a waveform.

The newest version of VariAudio introduced some incredible options for adjusting pitch that make the software even more valuable.

I highly recommend considering Cubase Pro if you plan to switch DAWs — for VariAudio exclusively!

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Steinberg’s Cubase Pro is available from Plugin Fox.

3) Celemony Melodyne (Paid)

We’re moving up the price ladder, but for a good reason. Melodyne from Celemony is one of the most utilized pitch correction plugins used by professional vocal editors and producers.

Melodyne offers (to my ears) the most accurate and musical sounding algorithm, leaving no tuning artifacts that are easily recognizable to the untrained ear.

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Pros

Incredible-sounding algorithm
Tons of flexibility when vocals sound poor
Zero audio artifacts in most cases

Cons

Difficult for new users
Rather expensive

The software has incredible note detection allowing for more accurate tuning. I find that in VariAudio, there are times that the software cannot understand individual notes, so they are omitted. It’s not too often this occurs, but Melodyne does it better.

Melodyne is available at Plugin Boutique.

4) Waves Tune (Paid)

Waves Tune operates similarly to Auto-Tune and Melodyne. Before you begin tuning, the software scans the audio track and displays audio waveforms.

The process of editing is quite similar as well, though the interface is slightly dated.

Pros

Included in many of Wave’s plugin bundles
Relatively lightweight on CPU

Cons

Outdated
Difficult to use

I have never enjoyed using Waves Tune but figured it needed a mention since Waves is one of the most popular audio plugin companies.

5) Waves Tune Real-Time (Paid)

While cheaper than the regular version of Tune, Tune Real-Time offers a quick and user-friendly experience for tuning vocals. I’d compare this plugin to using Auto-Tune on AUTO mode.

Note transition is iffy at best and artifacts are present throughout (at least when I used it). The plugin isn’t smooth sounding at all, and there aren’t many parameter changes available.

I’d recommend Real-Time for two different scenarios. The first being someone new to audio production looking to fix a vocal without technical knowledge of tuning vocals. You won’t get the most professional sound, but it will be acceptable.

The second scenario is for producers working with singers in the studio who struggle to sing on pitch.

Using a pitch-correction software can boost the confidence of the singer in the booth, though I can’t say for sure if this will lead to a better sounding vocal take.

Despite the marketing of Waves Tune Real-Time, claiming instant vocal tuning, I could envision latency becoming an issue in some home studio settings.

Free Auto-Tune VST Plugins

If you’re on the fence about which one to get or want to save a little cash, try some of these free pitch correction plugins I’ve listed below.

Things To Consider When Choosing a Pitch Correction Software Plugin

Despite all the choices I’ve laid out, you still may be confused on the correct option. Here are some things to consider before making a decision.

Does the software maker provide a trial? Vst plugin dll free.

If so, take the trial and check out the software! There’s nothing more frustrating than buying a plugin only to find out that it’s non-refundable.

Do you need graph editing functionality?

Graph editing, like seen in Melodyne and VariAudio, is for advanced vocal editors. If you need a quick tuning for a little enhancement of a track, you may not need to edit each note.

If you want to draw in the notes physically, a more advanced pitch correction software will be necessary.

Further features you may desire are formant control, MIDI input (for vocoder), and note straightness. These types of effects are often essential in a lot of today’s popular music.

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Does your DAW already have pitch processing?

Mine does — that’s why I’ve included VariAudio in this list. Digital audio workstations like Propellerhead’s Reason and MOTU Digital Performer also come with their native pitch correction software.

Wrapping Up

Which one do I like most? If I didn’t have VariAudio included in Cubase, I’d most likely be using Melodyne exclusively. It sounds incredible, and the workflow is so intuitive.

So there you have it — my list of the best Auto-Tune/pitch correction VST plugins. Which one do you currently use in the studio? I’d love to hear from you down below in the comments. Thanks for reading!