Strings VINTAGE VST Instruments Selena size 1.79 MB Selena is a downsized version Horus, focused on the string machine aspect. 32 voices polyphonic. 2 oscillators: 8′ and 4′. Akai MPK249US: UK: CAN: Akai MPD218US: UK: https://amzn.to/2I.
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Let me start this review by declaring that I am not a superficial person. I think anyone that is serious about music or audio production would agree that the quality of the sound is what matters most. That said, I have to admit that the front-end of Analog Strings, the Kontakt-based instrument from Output, is nothing less than stunning. The Main page is particularly visually delicious as 3D controls glide over multi-string-like graphics while altering user-defined macro controls for the instrument. Having been subjected to clunky and downright ugly GUIs over the years, an instrument like Analog Strings is a refreshing departure.
After launching the instrument for the first time, I was sincerely hoping the richness of the sound would rival the beauty of the interface. It did not disappoint. As described by Output in their walkthrough video, the instrument uses two sound sources based on samples of “big and small string orchestras, soloists, weird instruments and every vintage synth and effect we could get our hands on.” Samples are mangled, blended and modulated to produce a multitude of unique textures that will satisfy and surprise even the most experienced sound designer.
Structure
The instrument is laid out using five tabs across the top.
The Main tab (shown at the top) displays the aforementioned macro controls. Clicking on the drop menus on the upper left allow the user to select which parameters will be affected by the four macro sliders including things like, pulse, reverb, dirt, glide, tone, etc. These controls are great for exploring presets and altering sounds in a performative way.
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At the bottom of the main display, waveforms of the two active sound sources are shown and controls include looping parameters, sync settings, tuning, level and source. Clicking on one of the two source selectors reveals a matrix of possible sources organized into three main groups: One Shots, Pads and Tape Loops. From each group you can choose from three possible sub-categories: Orchestral, Synths and Creative.
The Edit Tab reveals amplitude and pitch envelopes, a dedicated LFO control for pitch they call Flutter and Stereo Image settings. Key range mapping, glide and velocity sensitivity controls can be accessed via the advanced settings icon.
The FX tab allows control over a chain of six effects per layer or seven global effects that affect both layers.
The Rhythm Tab is where a lot of the temporal complexity this instrument is capable of originates. Here you can choose between two independent rhythmic modulation sources (LFO or Step Sequencer) for each layer, which can affect layer volume, layer pan, filter cutoff, filter resonance, tube saturation, distortion drive amount, lo-fi distortion bits and lo-fi distortion sample rate.
The Flux setting control exposes another step sequencer that can change the modulation rate of all Flux-enabled modulation rhythms. A sort of sequencer within a sequencer.
The Arp tab exposes two independent arpeggiators with a fairly sophisticated set of controls and presets including zigzag and pedal tone settings. When used in combination with the two sources and the modulation of parameters mentioned earlier, the rhythmic and textural possibilities are infinite.
Presets
Clicking the preset menu opens an attribute matrix that helps the user narrow down the substantial list of 500 factory settings and navigate to the desired sound or point of departure. After choosing a preset, the macro controls become a convenient and expeditious way to audition the effect of altering some of the key parameters of that particular sound. You can mark your favorite settings and create your own as modifications of existing presets or start from scratch.
Conclusion
If you’re looking for another string library based on traditional articulations and orchestral textures, look elsewhere. But if you want a truly novel approach to orchestral string manipulation that will expand your sonic palette both texturally and rhythmically, I highly recommend Analog Strings. It’s worth checking out the performance video made by the Output crew.
Output stands behind their software with a 14-day guarantee on all products, bundles and expansion packs. You can explore other offerings by Output on their products page.
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Adjustable recognition parameters allows improving recognition quality. Vst plugin audacity. Detected notes as well as signal spectrum are displayed in the plugin window.
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Lots of people are obsessed with the ‘warmth’ of analog studio gear. Sure—it sounds fuller, more human, more present.
But these days, modeling technology has become really good at simulating the effects of analog circuitry. Our computers and DAW apps are powerful enough to handle these VST workhorses.
So forget about spending tons of money on analog gear.
Here’s 7 VSTs (for both PC and Mac) that will give you that sweet analog warmth.
- SGA1566 Tube Preamp
- TDR Slick EQ
- Ace Amp
- Molot Compressor
- Voxengo Tube Amp
- MJUC jr. Compressor
- Softube Saturation Knob
Analog Strings Vst Free Plugins
What’s all the analog fuss about?
Ok, so what does analog circuitry do to your sound? What’s everyone so obsessed about?
What people like about analog sound are the quirks and imperfections.
So when people talk about ‘warm analog sound’ they’re referring to:
- Subtle distortion and drive
- Harmonic distortion
- Tape Saturation
- Vacuum tubes
- Preamps
What these processes do to your sound is often hardly noticeable. That’s what the magic’s about—you won’t hear them, but they’ll make a huge difference in how your track sounds and feels.
The cumulative effect of analog processes is what people are gushing about.
1. SGA1566 Tube Preamp
Shattered Glass Audio’s SGA 1566 gives you a single channel vintage tube preamp. The whole circuit is simulated in real time to get you that authentic analog sound.
Use the SGA 1566 as a saturation compressor to boost the warmth of your track. Or add a bit of grit with the tube overdrive.
The newest version is also lighter on your CPU––so no computer freak outs!!
Download the SGA 1566 for free here.
2. TDR Slick EQ
“This little guy sounds amazing” –Dave Pensado
The TDR Slick EQ is a sleek easy-to-use three-band EQ that gives you amazing sound—like all Tokyo Dawn Records plugins.
Warm up your sound by choosing a non-linear option under Output Stage. That’ll add subtle harmonic distortion and texture.
Download the TDR SlickEQ for free here.
3. Ace Amp
Ace Amp—another Shattered Glass Audio creation—is based on classic 1950s style tube amps.
Control the input, volume, feedback, output. Choose between three resampling options.
This amp plugin has simple controls and doesn’t eat up your CPU.
Hot Tip: Try it on vocals for a cool aesthetic effect.
Download the Ace for free here.
4. Molot Compressor
Vladg’s Molot is a compressor with character. Even the vintage Soviet look is on point.
Jun 11, 2020 Total Bundle: FabFilter Micro v1.20, One v3.31, Pro-C 2 v2.08, Pro-DS v1.12, Pro-G v1.22, Pro-L 2 v2.03, Pro-MB v1.19, Pro-Q 3 v3.11, Pro-R v1.06, Saturn v1.20. Vst plugin fabfilter pro q x64. FabFilter Pro-Q 3 is a high quality equalizer plug-in with unrivalled sound and interface. Available in VST, VST3, AU, AAX and AudioSuite formats for Windows and macOS. Dec 08, 2020 64-bit plug-ins in all formats; Download for Windows (64-bit) (5.62 MB) 64-bit VST, VST3 and AAX plug-ins; Download for Windows (32-bit) (5.34 MB) 32-bit VST, VST3 and AAX plug-ins; Looking for Pro-Q version 2? See the Additional Downloads page. FabFilter Pro-Q gets you the possible sound quality and a gorgeous interface. FabFilter Pro-Q is designed to help you achieve your sound in the quickest way. Via the large interactive EQ display.
Analog Lab 4 Vst
Molot will give your sound interesting color. I recommend reading the manual to learn how to tune it properly—it’s worth the read.
Download Molot for free here.
Analog Strings Vst Free Plugin
5. Voxengo Tube Amp
Voxengo’s Tube Amp gives you warm overdrive, fuzzy distortion and everything in between.
It imitates tube overdrive in the style of single-tube mic preamps.
Hot Tip: Use the low-pass filter to imitate the texture of lower-quality tubes.
Download Voxengo’s Tube Amp for free here.
6. MJUC jr. Compressor
Klanghelm’s MJUC jr. compressor is simple and elegant.
Use it for smooth compression or a heavier pumping effect. MJUC jr. is based on vintage compressors of the 1960s––it even looks like one.
Flip the ‘Time Constants’ switch to choose between slow, fast and auto. This changes the attack and release time. It affects other parts of the circuitry too, giving you interesting analog-style saturation.
Download the MJUC jr. for free here.
7. Softube Saturation Knob
This Saturation Knob is one the best free analog emulation plugins out there. Even Dave Pensado gives it two thumbs up!
Use it anywhere to add some character and distortion. Drag it on your vocal track to add shimmer.
The great thing about this one is how simple it is: literally one knob and a switch. Change the switch setting to choose between the kind of distortion you’ll get.
Download the Softube Saturation Knob for free here.
Fake It Till Ya Make It
These effects are the missing ingredient in your digital sound.
The key with analog emulation is to avoid overdoing it. Bring in the effect until you hear it, then dial it back a notch. It’ll still make a huge difference. Your sound will be fuller and warmer.
Use these plugins and people will be asking for your studio secrets in no time.
Make sure to grab the whole LANDR-approved free VST plugin collection: